By Andre J. Veldmeijer, Salima Ikram
The current paintings is the results of the 1st overseas Chariot convention, together organised through the Netherlands-Flemish Institute in Cairo (NVIC) and the yankee college in Cairo (AUC) (30 November to two December 2012). The goal of the convention was once to make a large review of the present nation of data approximately chariots in Egypt and the close to East, and to supply a discussion board for discussion.
A wide array of papers are integrated, starting from overviews to extra precise stories concentrating on a particular subject. those contain philology, iconography, archaeology, engineering, historical past, and conservation. The e-book is of curiosity to students in addition to somebody with an curiosity in old know-how, transportation, or warfare.
Dr. André J. Veldmeijer is Assistant Director for Egyptology of the Netherlands-Flemish Institute in Cairo and has labored as archaeologist in Egypt on the grounds that 1995 as expert in, between others, leatherwork and sneakers. He (co-) directs a number of tasks, equivalent to the traditional Egyptian Leatherwork undertaking, along with the Egyptian Museum Chariot venture, and the Tutankhamun Sticks & Staves venture. He has released broadly, either scientifically as popular.
Dr. Salima Ikram is Professor of Egyptology on the American college in Cairo, and has labored as an archaeologist in Egypt for the reason that 1986, directing the Animal Mummy undertaking, and co-directing the Predynastic Gallery venture, the Egyptian Museum Chariot venture, and the North Kharga Oasis Survey. Dr. Ikram has lectured and released broadly, either for kids and adults.
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Extra resources for Chasing Chariots: Proceedings of the First International Chariot Conference
The original placement of the shorter fifth strip is uncertain, although it is pierced at the top. OBJECTS PERHAPS ASSOCIATED WITH PAVILION AND CHARIOT Four Gilt Kneeling Captives ‘Dagger-Shaped Objects’ (Carter Archive, Index Card 122t, no Burton photos) (JE 61989G, 61990G, 61993E, 61994E; Carter Archive, cards 101n/122h, 120h; Burton photos p0534, p0534a, [note: Burton’s photos show two of these objects from opposite sides, but the label of the upper figure changes from 101n to 122n. Carter Number 101n was an earlier designation for Carter Number 122h, based on the find spot of the piece in box Carter Number 101, placed on top of ritual couch Carter Number 137]) Described on Carter card 122t as “Four kneeling captive figures in gesso, gilt.
1927. amen II. – London, Cassel & Co. Carter, H. 1933. amen III. – London, Cassel & Co. , 1835. Monuments de l’Égypte et de la Nubie. Planches, Tome I. M. 1912. The Tombs of Harmhabi and Toutânkhamanoun. – London, Constable. Eaton-Krauss, M. 2008. The Thrones, Chairs, Stools, and Footstools from the Tomb of Tutankhamun. – Oxford, Griffith Institute. H. 2000. Tutankhamun. The Eternal Splendor of the Boy Pharaoh. – Cairo, American University in Cairo Press. Killen, G. 1980. Ancient Egyptian Furniture.
PREVIOUS INTERPRETATIONS The excavators (Carter & Mace, 1923: 120; Carter Archive, Index Cards 123-11) described the object as a ‘traveling canopy’ or ‘portable pavilion’, supposed to have been set up when the king was to have an alfresco audience or when he wished to sit in the shade. The frame is described as missing its base. The few others who have commented on this object follow this interpretation as well (James, 2000: 294; Reeves, 1990: 187). At least two problems suggest themselves with regard to the reconstruction of this object and its presumed use.