By Marilyn DeLaure, Moritz Fink, Mark Dery
The essays, interviews, and artistic paintings assembled during this special quantity discover the transferring contours of tradition jamming by way of plumbing its background, mapping its alterations, checking out its strength, and assessing its efficacy. Revealing how tradition jamming is straight away playful and politically transgressive, this obtainable assortment explores the measure to which tradition jamming has fulfilled its innovative goals. that includes unique essays from favorite media students discussing Banksy and Shepard Fairey, foundational texts corresponding to Mark Dery’s tradition jamming manifesto, and paintings via and interviews with noteworthy tradition jammers together with the Guerrilla ladies, The convinced males, and Reverend Billy, Culture Jamming makes an important contribution to our realizing of artistic resistance and participatory tradition.
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Additional resources for Culture Jamming: Activism and the Art of Cultural Resistance
October 11, 2015. Tonight’s episode of the American TV series Homeland includes scenes of a fictional refugee camp meant to be located in Lebanon, close to the Syrian border. As the protagonists wander through camp, we see graffiti in Arabic script on the walls—apparently symbols of the politically explosive atmosphere in the region. . the so-called Muslim world in general” (Amin, Kapp, and Karl 2015). * * * In each of these examples, activists have appropriated, reworked, and disseminated cultural symbols in order to contest meanings and challenge dominant forms of power.
Several critics writing about culture jamming note a distinction between the serious and the playful jammer; Naomi Klein (1999) frames this as a tension between “the hard-core revolutionary” and “the merry prankster” (283). The Yes Men certainly fit the latter category; they describe their form of intervention as “laughtivism” (see chapter 21). If culture jamming is fun to do, then it is more inviting to participants. If it uses humor and is funny to watch, then it is more engaging and appealing to audiences.
McDonnell traces the origins of Fairey’s form of culture jamming to the bricolage aesthetic of the 1970s punk scene, Dadaism and the appropriation art of the 1950s, 1960s, and 1970s, and the “sampling” practices of rap music. ” 2. Culture jamming is artful. Another signature feature of culture jamming is that it is artful, in both senses of the word: it is typically clever and cunning, and also exhibits creative skill. Culture jammers play with form, creating works that are aesthetically pleasing or arresting, whether in visual, aural, or performative registers.